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Live
Venue address
St. Edmund's Court
Okehampton Street
Exeter
EX4 1DU
United Kingdom
20th Century & Contemporary
Sale Ref: CC15
Ceramics Lot 1 - 115
Pictures Lots 119 - 364
Works of Art Lots 365 - 466
Furniture Lots 471 - 516
Auction dates
Sep 22, 2026 09:30 AM BST
Viewing dates
Sep 18, 2026 09:00 AM - 05:15 PM BST
Sep 19, 2026 09:00 AM - 12:00 PM BST
Sep 21, 2026 09:00 AM - 05:15 PM BST
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Auction currency
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GBP |
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Buyer's premium
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26 % (exc. Sales tax) |
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Online commission
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3 % (exc. Sales tax) |
| Buyers premium is 26% up to the first £20,000 and then 25% over £20,000 per lot. | |
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Delivery
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Silverarrowpost@gmx.co.uk |
| MBE - plymouth@centres.mbe.uk | |
| DC Pack & Despatch - contact@DCPD.co.uk | |
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We found 77 items matching your search
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A painted glass table lamp and domed shade painted with a figure and camels at a desert oasis, with brass mounts, 40cm high.
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Fratelli Fanciullacci a pottery table lamp of bottle shaped form incised with a stylised golden horse and verso with flowers on a blush ivory ground, painted Italy 4888, 19cm high excluding fittings.
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Tremaen Pottery, Newlyn, a Zennor table lamp with abstract designs under cream glazes after a design by Peter Ellery, 22cm high excluding fitting, circa 1980.
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Cari Zalloni for Steuler, a pottery Facette lamp base of vivid red colour, embossed marks to base, 41cm high.
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Robert 'Mouseman' Thompson of Kilburn, a carved English oak tray; of kidney form with adzed surface and raised outer rim; the twin signature carved mice at each side as the handles; 47.5cm wide;
and a printed paper brochure for 'ROBERT THOMPSON'S Craftsmen Ltd', three-fold, circa early 1960s
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Robert 'Mouseman' Thompson of Kilburn, a carved English oak breadboard; of octagonal form; with a signature carved mouse to one side of the moulded edging 30.5cm long, 25cm wide; (worn through use)
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Robert 'Mouseman' Thompson of Kilburn, a carved English oak cheese board or teapot stand; of octagonal form; with a signature carved mouse to one side of the moulded edging 19cm wide
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Robert 'Mouseman' Thompson of Kilburn, a carved English oak ashtray; with a signature carved mouse above the concavity, with twin grooved cigarette rests at the canted corners; 10cm long, 7.5cm wide
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Robert 'Mouseman' Thompson of Kilburn, a carved English oak ashtray; with a signature carved mouse above the concavity, with twin grooved cigarette rests at the canted corners; 10cm long, 7.5cm wide
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Workshop of Robert 'Mouseman' Thompson (1876-1955) an English oak book trough, last quarter 20th century; on arching end supports, the relief carved mouse signature at upper left; 45cm wide, 20.5cm high, 20.5cm deep
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A pressed brass and tin framed oval mirror the fame mounted with a peacock and foliage, 60cm high.
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Two miniature Vitra models of upholstered chairs, modern; including a Heart Shaped Cone Chair, and a Hans J. Wegner 1963 example; both with small booklets and original wooden packaging from the Vitra Design Museum; the chairs 14 and 12.5cm high respectively
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Two oak and glass photograph holders in Art Deco style, circa 1930's; one portrait format, the other landscape; each with twin rectangular panes held within side supports of graduated rays; on chamfered rectangular bases; the former 25cm high. 29cm wide; the latter 20cm high, 34cm wide
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A patinated metal group of swans rising from bullrushes, modern; the base naturalistically cast as rippling water; atop a rectangular stained wood socle; 28.5cm high, 29cm long
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A Continental patinated bronze model of an eagle alighting, 20th century; portrayed on rockwork; above a bulbous turned and stained walnut base, on three toupie feet; 17cm high
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A patinated metal model of a fish eagle, later 20th century; portrayed as rising from reeds clutching a fish in its talons; on a turned and stained hardwood base; 57cm high, 63cm wide
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A Continental cold painted bronze, onyx and hardwood mounted table lamp, circa 1930s; the electrical fitment on an ebonised shaft modelled as a tree; to a rectangular base adorned with a kneeling nude; with later fabric shade; 50cm high overall
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A Continental cold painted metal figural table lamp, circa early 1930s; modelled as a female nude, standing and holding the electrical fitment aloft; on a circular grey marble base; 43cm high
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A Continental plated metal figural table lamp, circa early 1930s; modelled as a female nude, leaning back and with one leg raised, the electrical fitment held aloft in her outstretched arms; atop a cylindrical polished serpentine plinth, with cavetto-moulded base; 47cm high
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A Continental gilt bronze and alabaster mounted figural table lamp, circa 1930s; with (possibly later) spherical milk glass shade over an electrical fitment, held aloft by a kneeling female nude, on the hexagonal base; 38cm high overall.
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A moulded and tinted glass ceiling light shade, circa 1920s; of loosely circular form with six fleurs-de-lys in relief to rectangular panels, beneath the everted and lobed upper rim; the faint tints in mottled pink, blue and yellow; with three metal hooks within; 19cm high, 39xm wide.
Provenance: From the Estate of the Late Matthew Upham
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A leaded glass ceiling light in the manner of Tiffany, modern; of inverted domed form; with a border of confronting scrollwork in greens and reds, with red cabochons above and below; above a stylised foliate metal terminal; the interior with three brass hanging rods to a ceiling fitment; the shade 27cm high, 46cm wide; 54cm high overall
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A mottled coloured glass and wrought iron mounted dish light, by Muller Freres, Luneville, early 20th century; with three conforming tapered glass shades suspended outscrolled branches from metal foliage; with three metal suspension chains to the original conforming ceiling fitment; maker's name to upper exterior; 66cm high overall including chains; 73cm wide overall
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A moulded opaque glass and gilt metal electrolier, circa 1930s; with four shades modelled as scallopshells set into a cruciform frame; around a hobnail moulded central dish; with four brass hooks and hanging chains; the glass element 18cm high, 46cm wide; (lacking electrical fittings)
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An opaque and red-flecked glass dish light, circa 1930s; of circular section; with three brass hooks and chains rising from the shoulder; the glass element 13cm high, 35cm diameter
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A coloured glass ceiling light shade, circa 1920s; of dished form with in-curved upper edge; with dark pink mottled lines trailing throughout the opaque cream body; with three metal attachments for suspension chains; the glass element 15cm high, 40cm wide
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A moulded glass ceiling light shade, circa 1920s; of circular spiral-lobed form, mottled pink, blue and yellow around the upper part; with three metal hooks and suspension chains; the glass element 19cm high, 35cm wide
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Guimoluz of Valencia, Spain; a pair of contemporary metal table lamps; with electrical fitments on square section shafts, above rectangular plinths with faux timber veneer finish; to conforming rectangular bases; 46cm high
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A gilt metal and glass hung eight light chandelier, modern; the electrical fitments on arms scrolling out from a faux gem-set boss; the conforming stem above with further arms with faceted glass drops; with ring finial; 50cm high, 65cm wide
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Robert Welch a pair of cast iron 'Hobart' candlesticks, with paper and Design Centre labels, 10cm high, together with a cast iron table heater, 19cm diameter, embossed marks, in original box. [3]
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An Arts & Crafts copper and coloured glass ceiling lantern, early 20th century; with hanging hook above an openwork repousse scrollwork top; the three bowed panes with stylised lanceolate motifs amongst profuse leadwork; the three copper uprights descending to out-turned feet; 39cm high overall
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A pair of turned and stained hardwood table lamps, circa 1960s; of bottle form, with electrical fitments; 46cm high overall
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An Art Deco tripartite glass wall mirror, circa 1930s; the central rectangular pane with shallow arched top, flanked by green tinted vertical borders to subsidiary panes at each side; the panes all bevel edged; on a stained hardwood backing; 43cm high, 69cm wide
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Charles & Ray Eames, an EA222 chromed aluminium and black leather upholstered soft pad reclining elbow chair for Hermann Miller, circa 1969. The shaped backrest to open arms and 'X' shaped base 100cm high, 64cm wide.
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A teak twin pedestal desk by Jens Risom, mid 20th Century. The rectangular top above a central drawer flanked by an arrangement of drawers and a cupboard, makers stamp to inside drawer, 74cm high, 207cm wide, 92cm deep
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Robert Heritage (1927-2008) for Charlie Shine a rosewood drum table, circa 1955. The circular top inset with four drawers on a columnar support to tri-form base, 71cm high, 143cm diameter.
CITES REFERENCE: B4G8J35636
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A trio of wood, chromed metal and canework chairs in Marcel Brewer style, late 20th Century. Comprising an elbow chair and two side chairs all having rectangular backrests and seats to a cantilever base. 79cm high, 60cxm wide (largest).
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Workshop of Robert Mouseman Thompson (1876-1955): An oak octagonal coffee table, early 20th Centurty. The Adzet top above a concave cruciform support to 'X' shaped base, 48cm high, 50cm square.
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Liberty & Co. Ltd., London, an embossed copper framed rectangular wall mirror, in Arts & Crafts style, early 20th century; the upper register with three stylised foliate forms; the reverse with applied retailer's plaque; 46 x 30.5cm
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A painted fruitwood stool, early 20th Century. The rectangular top above splayed legs and 'H' shaped stretcher, 48cm high, 37cm wide, 26cm deep.
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An Art Deco metal framed wall mirror, circa mid 1930s; of irregular hexagonal outline, with bevelled plate; the sides with openwork stylised rays tapering out from the base; 42cm high, 85cm wide
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A group of seven Vitra Eames DSR metal and plastic chairs, mid 20th Century. Comprising two elbow chairs and five side chairs the moulded plastic seats in various colours above an openwork frame, elbow chairs 81cm high, 63cm wide, together with a copy of 'Eames Beautiful Details'.
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A dining table and four chairs by Conran, modern. The stained teak table of rectangular form with rounded corners and glass top above 'H' form stretcher and tapering legs 74cm high, 180cm long, 91cm wide, the four conforming chairs with shaped backrests and grey upholstery, 90cm high, 46cm wide, makers stamp to base.
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An oak HIFI stand by Zola, modern. Having a rectangular top above angled supports with four glass shelves to plinth base, 76cm high, 66cm wide, 46cm deep.
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A pair of three tier mirrored etagere stands, mid 20th century; the tops with openwork brass back galleries and serpentine fronts; with metal supports simulating bamboo; 86cm high
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A pair of brass and mirrored pedestals in Doric style, late 20th Century. Both having rectangular tops above square columns to plinth base. 81cm high, 28cm square.
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Joe Columbo for Comfort. An 'Elda' armchair, in black leather upholstery with detachable shaped cushions on a mustard coloured fibreglass shall with swivel base, 92cm high, 98cm wide.
*Notes- Created in 1963 and named after his wife, Elda, the chair is celebrated for its futuristic "Space Age" aesthetic and its pioneering use of fibreglass, a material Colombo adapted from shipbuilding techniques.
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A pair of teak and upholstered 'Kyoto' elbow chairs by Guy Rogers. Mid 20th Century. The curved backrest to shaped arms, peripheral stretcher to straight legs. 92cm high, 69cm wide.
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A cherrywood trestle dining table, second half 20th century; the rectangular top with cleated ends, on twin square section baluster supports to the shaped trestles; united by a heavy floor stretcher, 76cm high, 244cm long, 102cm wide;
and a set of ten cherrywood dining chairs in George III style, also later 20th century; including twin elbow chairs, 109cm high, 61cm wide
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Workshop of Robert Mouseman Thompson (1876-1955): A nest of three carved oak occasional tables. Having rectangular tops above peripheral stretchers and octagonal columnar legs, largest 41cm high, 61cm long, 38cm wide.
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A nest of three teak occasional tables by Nathan, mid 20th Century. Having rectangular tops with cleated corners above shaped openwork supports and rear stretcher, largest 50cm high, 53cm wide, 48cm deep.
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A teak sideboard by Nathan, mid 20th Century. Having a rectangular top above a vacant shelf and cupboard with twin panel doors on plinth base, 75cm high, 103cm wide, 46cm deep.
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A teak sideboard by Nathan, mid 20th Century. Having a rectangular top above a cupboard with twin panel doors on plinth base, 51cm high, 103cm wide, 46cm deep.
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A teak corner cupboard of small size by Nathan, mid 20th Century. Having a rounded top above twin panel doors on plinth base, 51cm high, 36cm deep.
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A teak Pembroke style coffee table by Nathan, mid 20th Century. Having a rectangular top with rounded corners above a central stretcher to splayed legs, 44cm high, 141cm long (open), 53cm wide
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A teak concave corner cupboard by Nathan, mid 20th Century. Having a shaped top above a vacant shelf and curved panel door on plinth base, 75cm high, 83cm deep.
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A stained hardwood extending dining table and four chairs, mid 20th Century. The table having a rectangular top and shaped legs, 73cm high, 125cm long, 85cm wide (closed), the chairs with curved backrests, upholstered seats and conforming legs.
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An oak sectional open bookcase by Unix. Comprising five sections of various sizes with a plinth base.
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A blonde elm drop leaf dining table by Ercol, mid 20th Century. Having a rounded top with openwork supports and a central stretcher, 74cm high, 122 long (open), 107cm wide.
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A blonde elm drop leaf occasional table by Ercol, mid 20th Century. Having a rounded top above openwork supports and a central stretcher, 47cm high, 85cm long (open), 70cm wide.
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