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Venue address
St. Edmund's Court
Okehampton Street
Exeter
EX4 1DU
United Kingdom
Halsdon House. The Collection of Charlie & Shirley Watts
Sale Ref : SS15
Auction Starts at 9.30am GMT
Halsdon House. The Collection of Charlie & Shirley Watts - Lots 1 - 868
CERAMICS Lots 1- 55
ANTIQUITIES Lots 56 - 155
WORKS OF ART Lots 156 – 327
SILVER & JEWELLERY Lots 328 – 384
PAINTINGS Lots 385 – 460
SPORTING & COLLECTORS ITEMS Lots 461 – 600
NELSON RELATED ITEMS Lots 601 – 628
CARS Lots 629 & 630
BOOKS & MANUSCRIPTS Lots 631 – 745
FURNITURE & RUGS Lots 746 – 868
Auction dates
20 May 2026 09:30 BST
Lots: 1-868
Viewing dates
15 May 2026 09:00 - 17:15 BST
16 May 2026 09:00 - 13:00 BST
18 May 2026 09:00 - 17:15 BST
19 May 2026 09:00 - 17:15 BST
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Auction currency
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GBP |
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26 % (exc. VAT) |
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3 % (exc. VAT) |
| Buyers premium is 26% up to the first £20,000 and then 25% over £20,000 per lot. | |
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We found 134 items matching your search
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A South Staffordshire enamel writing slope, decorated with landscape of floral cartouches reserved on a pale green ground, 16 x 13cm, circa 1780, [devoid inkwell and pounce pot]
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A GROUP OF SCULPTURAL ITEMS, AFTER THE ANTIQUE, comprising: a pair of fragmentary white marble models of the forearms of an infant, each with recumbent lion, 15cm long; a bronze model of a crouching panther, 6cm; and a bronze model of a giraffe's head, 6.5cm
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Estimate
5,000 - 8,000 GBP
A ROMAN BRONZE FIGURE OF A BEAR CIRCA 2ND-3RD CENTURY A.D. the thick pelt with top-knot above shoulders, on raised circular plinth with attachment tang, 9.2cm. high, wood mount
Provenance:
The Leo Mildenberg Collection of Ancient Animals;
Christie's, London, 27 October 2004, lot 244.
Dr Desmond FitzGerald Collection, no. 84.
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AN EGYPTIAN BRONZE MODEL OF A CAT, LATE PERIOD, CIRCA 600 B.C. incised decoration on forelegs, 7cm. high
Provenance: Dr Desmond FitzGerald Collection, no. 9, acquired 1986.
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AN EGYPTIAN BRONZE MODEL OF A SHREW, LATE PERIOD, CIRCA 664-332 CENTURY B.C. the pointed face incised with small harrowed eyes and small circular ears in relief behind, incised on the back with winged solar disc and vulture, a tang protruding from underneath, 12.8cm. high
Provenance:
with Art Concern, 19 November 2007, no. 2266.
Dr Desmond FitzGerald Collection, no. 85.
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A ROMAN BRONZE MODEL OF A BOAR CIRCA 2ND CENTURY A.D. with etched eyes and protruding tusks (leg and tail missing), 12.4cm. long
Provenance: Dr Desmond FitzGerald Collection, no. 65.
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A ROMAN BRONZE MODEL OF A HORSE WITH LIONSKIN, CIRCA 2ND CENTURY A.D., perhaps intended to represent Bucephalus, Alexander the Great's horse, with entails finely incised and the whole bronze with even green patina, 6.5cm. high
Provenance: with Fortuna Gallery, New York, 1990.
Dr Desmond FitzGerald Collection, no. 51.
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A ROMAN BRONZE MODEL OF A SHEEP CIRCA 3RD-4TH CENTURY A.D., with head turned to the left, scrolls of incised wool on body, 5.4cm. high
Provenance: Smeets Collection.
Dr Desmond FitzGerald Collection, no. 11.
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A ROMAN BRONZE MODEL OF A BOAR, CIRCA 2ND-3RD CENTURY A.D., roughly hewn coat, 5.4cm. high
Provenance: Dr Desmond FitzGerald Collection, no. 12.
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A PAIR OF ROMAN BRONZE MODELS OF HORSES, CIRCA 2ND-3RD CENTURY A.D., each with raised foreleg, one with silver wire binding, 4cm. high, perspex plinths (2)
Provenance: Dr Desmond FitzGerald Collection, no. 31.
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A GALLO-ROMAN BRONZE MODEL OF A LION, CIRCA 2ND CENTURY A.D., with deeply moulded mane, wearing a boar's mask, 5.4cm. long
Provenance: Dr Desmond FitzGerald Collection, no. 32.
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A GALLO-ROMAN BRONZE MODEL OF A BOAR'S HEAD, CIRCA 1ST CENTURY A.D. with finely modelled tusks and bristles, the mount in the form of an open spout, 7cm. long
Provenance: Reputedly from the Foret de Compiegne.
Dr Desmond FitzGerald Collection, no. 44, acquired 1993.
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A ROMAN BRONZE MODEL OF A HORSE, CIRCA 1ST-2ND CENTURY A.D., lower part of left hind missing, incised mane, etc., 2.9cm. high, on plinth
Provenance: Dr Desmond FitzGerald Collection, no. 4.
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A ROMAN BRONZE MODEL OF A COCKEREL, CIRCA 2ND-3RD CENTURY A.D., 7cm. high, on plinth
Provenance: Dr Desmond FitzGerald Collection, no. 2.
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A ROMAN BRONZE MODEL OF A WATER BIRD, CIRCA 2ND CENTURY A.D., its wings held out horizontally, incised details on feathers, 5.4cm. high
Provenance:
Anonymous sale; Christie's, London, 12 December 1994, lot 105.
Dr Desmond FitzGerald Collection, no. 54.
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A ROMAN BRONZE MODEL OF A SEATED DOG, CIRCA 1ST-2ND CENTURY A.D., one leg raised, head raised with open jaws and lolling tongue, notches showing
Provenance:
Anonymous sale; Dorotheum, 28 September 1998.
Dr Desmond FitzGerald Collection, no. 72.
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A CYPRIOT TERRACOTTA EWE CIRCA 6TH CENTURY B.C., 9cm. high
Provenance:
Faustus Fine Art, London, July 1989.
Dr Desmond FitzGerald Collection, no. 88.
Exhibited: London, Faustus Fine Art, Feats of Clay Exhibition, July 1989.
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A ROMAN BRONZE MODEL OF AN EAGLE, CIRCA 2ND CENTURY A.D. incised decoration, 4.5cm. high
Provenance: Dr Desmond FitzGerald Collection, no. 19.
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A ROMAN BRONZE MODEL OF A BIRD, CIRCA 2ND CENTURY A.D., decoration on body (lower legs missing) 2⅞in. (7.3cm.) high
Provenance: Dr Desmond FitzGerald Collection, no. 25.
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138
A ROMAN BRONZE MODEL OF AN EAGLE, CIRCA 1ST CENTURY B.C. incised decoration (legs missing), 4cm. high
Provenance: Dr Desmond FitzGerald Collection, no. 7.
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A ROMANO-BRITISH BRONZE MODEL OF AN OWL, CIRCA 2ND CENTURY A.D., with two cylindrical legs, wings folded, head looking forward (beak damaged), 4cm. high, perspex base
Provenance:
Reputedly found in Suffolk.
Dr Desmond FitzGerald Collection, no. 60
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A ROMANO-BRITISH WEIGHT IN THE FORM OF A WOLF'S HEAD, CIRCA 2ND CENTURY A.D., 4.8cm. long
Provenance: Dr Desmond FitzGerald Collection, no. 37.
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A ROMAN BRONZE MODEL OF A BIRD, CIRCA 2ND-3RD CENTURY A.D., some traces of gilding (legs missing), 6cm. long
Provenance: Dr Desmond FitzGerald Collection, no. 20, acquired 1990.
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159
A brass door porter cast as a fully caparisoned horse, early 20th century; with ebonised beech base, 21cm high 25cm wide overall; another similar, in cast iron, with no wooden base; a pair of brass bookends modelled as rampant unicorns , 19cm high; a pair of cast iron reliefs of recumbent hounds, 16cm wide; and a patinated metal model of a horse
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A gilt brass cricket-themed desk stand , early 20th century; with two bats and a ball resting on stumps; flanked by glass wells, on a rectangular base, with three-quarter openwork gallery and ball feet, 26cm wide; a painted cast iron door porter modelled as W.G.Grace , modern, 25cm high; a late 19th century cold painted bronze model of a batsman , 10.5cm high and a painted metal articulated model of W.G.Grace in bat, with square wooden base, 18cm high
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A carved beechwood overdoor, modern; modelled with trailed scrolling foliage, 70cm wide; and a simulated wood resin example , modelled with reclining monkeys and palm scrolls, also modern; 78cm wide
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A painted plaster model of the head of Mercury, 20th century; after the Antique; decorated to simulate antique bronze; on a square section black plaster base; 30cm high; (damage and losses)
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A French patinated bronze and onyx mounted table screen in Art Nouveau style, circa 1900; cast in relief with a maiden and a lyre, in a star and moonlit seascape; with foliage rising at each side and framing the rectangular edge; the onyx backing with irregular wavy edge and rectangular socle; 31cm high, 37cm wide
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232
A 'bronzed' resin group of a Moor and a female nude, in the manner of 19th century work by Bergmann, modern; the maiden standing contrapposto on a dais above the seated slaver; 68cm high
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ANTOINE-LOUIS BARYE (1795-1875) Whippet and Fly signed 'A. BARYE. F' (on base) bronze with brown patina 28cm high; 30.5cm wide
PROVENANCE: Reputedly purchased Victor Franses Gallery, London SW1Y, August 1986.
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ALFRED DUBUCAND (1828-1894) A seated greyhound , signed 'Dubucand' bronze with brown patina 32.4cm high; 20.3cm wide
PROVENANCE: Reputedly purchased Victor Franses Gallery, London SW1Y, August 1986.
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A patinated bronze bust of Admiral Lord Nelson, late 19th century, cast by D. Brucciani & Co. Ltd,; portrayed in later years and wearing decorations; on a turned marble base; 21cm high
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A plaster anatomical model of the leg of a horse, late 19th /early 20th century. 66cm;
and a natural historical specimen, the leg of a horse, 146cm
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After Alfred Dubucand (French, 1828 - 1894), a patinated bronze model of a stallion, late 19th Century; portrayed standing, the naturalistically cast rectangular base with signature and inscribed 'KAOLIN ETALON DE PUR SANG PAR ZOUAVE ET DENTY AU HARAS DU PIN'; 36cm.high; 32cm long
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Quantity
1
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GBP
Estimate
2,500 - 4,000 GBP
AFTER PIERRE JULES MÊNE L'Accolade signed and dated 'P.J. MENE 1865' (on the base) bronze with brown patina 44.5cm high; 68.6cm wide
Originally entitled 'Tachiani et Nedjebe Chevaux Arabes', this model was first exhibited as a red wax sculpture at the Salon of 1852. Later cast in bronze in three different sizes by the sculptor himself, and subsequently cast by numerous Paris foundries.
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Five carved and painted wood models of horses, 20th century; portrayed as bridled and saddled and with horsehair tails; 22cm high, 32cm long
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An Austrian cold painted bronze model of a bay racehorse, probably by Bergman, early 20th century; portrayed standing; unstamped; 18cm high, 20cm long
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Franz Bergman (1861-1936), an Austrian cold painted bronze model of a bay racehorse, early 20th century; portrayed standing; stamped with the 'B' within an urn for the maker to the underside, also '3927 GESCHUTZT'; 18cm high, 23cm long
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JOHN RATTENBURY SKEAPING (1901-1980)
Running greyhound
signed and numbered 'JOHN SKEAPING 3/20'
bronze with brown patina;
12.7cm high; 36.2cm wide;
With rectangular stained wood base
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GILL PARKER (b.1957) 'Precocious' signed, dated and numbered 'Gill Parker 1985 7/9' bronze with brown patina; 17cm high; 21cm wide
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ASTRID ZYDOWER (1930-2005) Orpheus bronze with brown patina , on polished slate base 48.3cm high overall A reduction after the original sculpture, installed on the Terrace at Harewood House in 1985.
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James Doran-Webb, (Contemporary)
Baying Stag, 2011,
driftwood, metal wire; with applied metal plaque to underside
190cm high, 220cm long
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Manner of Heather Jansch,
Standing Llama, modern
driftwood, fragmentary wood and carved beech
186cm high, 160cm long
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A patinated bronze model of a male ballet dancer, second half 20th Century, on a polished dark grey stone base; 65cm high overall
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385
After Nobuyoshi Araki (Japanese b1940) -
'Untitled for colorscapes (1991)' -
Photographic print -
61 x 50.5cm unframed.
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After John Frederick Herring, Snr. - Fathers of the Turf 1683-1822 - 'The Godolphin Bard - The Byerley Turk - The Darley Arabian - King Herod - Eclipse - King Fergus - Camel and Tramp' - Studies of racehorses - after. Wootton, Herring, Stubbs and others - Aquatint published by Forres - 47 x 76cm 70 x 96cm framed.
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After Cecil Aldin (British, 1870 - 1935) - A gentleman of colour - Chromolithograph - 51.5 x 43cm, 66 x 57cm.
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After Alfred de Dreux (1810-1860) - 'Ali', an Arabian stallion - Reproduction aquatint - From Chevaux de celles et des ateliers;- and one other 'Nizam' - after the same artist - Each 46 x 58cm, 72 x 81cm framed. (2)
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390
After Francis Calcraft Turner -
The Darley Arabian 'Roxana' -
Aquatint with later hand colouring by J.S. Mackrell -
41 x 53cm, 61 x 75cm framed.
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Whessell after Benjamin Marshall (1767-1835) -
'Lop' -
Engraving with later hand colouring, published by John Harris, London -
36 x 47.5cm, 59.5 x 68.5cm framed
[Provenance: with Arthur Ackermann & Sons
Ltd., London, 1981]
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392
Rory Carnegie (20th Century) -
'Whisper at Port Meadows' -
A limited edition print 3/15 -
52 x 17cm, 72.5 x 88.5cm framed.
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After Herge (1907-1983) -
Tintin in the Congo -
Limited edition colour print 17/77 -
49 x 36cm, 73 x 61cm framed.
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After Alfred de Dreux (1810-1860) -
'The Pasha's Pride' -
Colour print -
69 x 92cm, 84 x 107cm framed.
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After Wieza Mocy (Contemporary) - The head of a bay Arabian - Print on board - 61 x 43, 68.5 x 50cm framed.
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After Daniel Orme (British, c1766 - 1832) - 'Battle of the Nile' - Engraving - 41.5 x 56cm unframed - After William Marshall Craig (British, c1765-1832) - 'Battle of Trafalgar, Death of Lord Viscount Nelson - Engraving - 42 x 57cm unframed - (2)
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Astrid Zydower (Polish, 1930-2005) -
'Study of a cat' -
Aquatint etching -
21 x 19cm, 33 x 30cm framed -
Together with two further by Astrid Zydower.
(3)
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After George Earl (British, 1824-1908) -
A field trial meeting at Bala, North Wales -
Colour print -
Blind stamp lower left, signed lower right -
52 x 75cm, 81 x 99cm framed.
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After Allart van Everdingen (Dutch, 1621-1675) - Scenes from various fables - A group of nine etchings - Each 9.5 x 12cm, 29 x 51.5cm framed. (9)
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Andrzej Strumillo (Lithuanian, 1927-2020) - Study of a horse - Colour print - Signed lower - 30 x 20cm, 38.5 x 29.5cm framed.
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